So after the disappointment of not being able to do an Angel S2 marathon, I decided to watch snippets of my favorite musicals instead. There's nothing like having snazzy music and people dancing to pep one up.
Happy snippets are:
- Chicago, "All That Jazz" (so. cool.)
- Chicago, "He Had It Coming" (my absolute favorite number that never fails to pick me up. It's the beat. And the tango. And the choreography.)
- Chicago, "Both Reached for the Gun" (puppets!!)
- Chicago, "He Had It Coming" (again, because I love it. The boy finds my adoration of the song rather disturbing, given the subject matter)
- Singin' in the Rain, "Moses Supposes" (I love the long takes in Singin' in the Rain. They never fail to amaze me. Plus, it's the weirdest song ever. "Aaaaaaaaaaaa!")
- Singin' in the Rain, "Singin' in the Rain" (the kicking around water in the puddle bit!)
- Singin' in the Rain, "Make 'Em Laugh" (I love Donald O'Connor. Besides, funniest sequence ever, plus amazingly long takes)
- Strictly Ballroom, the bit when they talk about the history of Doug Hastings (It's the surrealness! And the fun music)
- Strictly Ballroom, the last dancing scene (Red dress!! Tango/flamenco/latin dancing! Red dress!)
- Moulin Rouge, "The Pitch" (sheer over the top insanity with funny sound effects)
- Moulin Rouge, "Roxanne" (more tango! And absurdly short cuts that make the cinematography and editing into a kind of dance in itself. Plus, awesome beat and cutting and yeah)
- Once More, With Feeling, "I'll Never Tell" (Peppy and retro)
- OMWF, "Going through the Motions" (cool montageness, also, the disc wouldn't let me cut straight to "Life's a Show")
- OMWF, "Life's a Show" (my absolute favorite number in this. I want Buffy's outfit)
- OMWF, "Where Do We Go From Here?" (just because I love the "hand in hand" choreography, literal as it is)
- Nightmare Before Christmas, "This Is Halloween" (ok, actually the entire musical and the claymation make me gleefully happy. The macabre-ness doesn't hurt either)
- Nightmare Before Christmas, "Kidnap the Sandy-Claws" (how can you not love a song with the lyrics "Kidnap the Sandy-Claws, beat him with a stick, lock him up for ninety years, see what makes him tick" sung at a high pitch with maniacal glee? It's rather disturbing how purely happy this song makes me)
- Lilo and Stitch, opening credits (Hawaiian music and bright fish and hula dancing. Yeah ^_^)
I seem to have a leaning toward more... unconventional musicals.
There's just something innately satisfying about watching people and images move to a beat.